From Literary Page to Operatic Stage : Manon's Tragic Voice of Her Own
Identifieur interne : 001505 ( Main/Exploration ); précédent : 001504; suivant : 001506From Literary Page to Operatic Stage : Manon's Tragic Voice of Her Own
Auteurs : Andrew Miller [États-Unis]Source :
- The French review [ 0016-111X ] ; 2008.
Descripteurs français
- Pascal (Inist)
- Wicri :
- geographic : France.
English descriptors
- KwdEn :
Abstract
An eroticism previously unimagined in the operatic tradition emerged in the figure of Manon whom Massenet adapted from Prévost's novel Manon Lescaut. Manon undergoes a remarkable transformation from novel to opera, due to the different functions of her death in the two genres. Manon's circular death in the opening pages of the novel deprives her of a voice, whereas in the opera the heroine acquires vocal autonomy because her death serves as the final resolution to her corruptive desire. Through her singing the operatic Manon enacts, tragically, her understanding that her sexuality and her fascination with it necessitate her death.
Affiliations:
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Le document en format XML
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